Page Clements is a Reader’s Choice Winner in Backstage for her work as a vocal and dialect coach. She is on staff at T. Schreiber Studio, where she teaches Shakespeare, Dialects, Accent Reduction, and Vocal Production. Page has been an adjunct vocal instructor at the Larry Singer Studios, Lycoming College, and Marywood University, as well as a private coach for actors and public speakers. As an actress, she has performed in over 60 productions in the New York City area, including shows at the Roundabout Theatre Co., the NY Shakespeare Exchange, the Metropolitan Playhouse, and the Phoenix Theatre Ensemble. She has been the vocal/dialect coach for many productions, including Ted Greenberg’s one-man show, Ace, in its 5-week Off-Broadway run. As a director, Page made her United Solo directing debut in 2017 with the thought-provoking Blood and Water and in 2018 with Velvet Determination, which received the Best Festival Debut Award. Other directing credits include Lucy Avery Brooke’s solo show, Ekphrasis, and the one-act play, No Soap!, at the T. Schreiber New Works Festival in 2017. www.bestvocalwarmups.com and www.pageclements.com
Page received her BFA in acting from Wesleyan College in Georgia, where she also received the Wesleyan Woman of the Year award her graduation year. She furthered her training at the American Academy of Dramatic Arts / New York, receiving the Lawrence Langner Award and the Charles Jehlinger Award for speech and acting respectively. She was invited to attend a third year in the Repertory Company, receiving the school’s first Neil Simon Foundation Scholarship. Page served as an Associate Professor of Voice and Speech at AADA for 10 years and was one of the original members of The Metropolitan Playhouse of New York. One of Page’s fortes as a teacher is creating as well as reducing regional and foreign dialects.
The demands of successfully interpreting Shakespeare’s characters and text are fully explored through body, voice and speech. The goal is to develop the actor’s skill to speak authentically, clearly and persuasively and craft a truthful and compelling performance.Learn More
This on-going class with Page Clements introduces the actor to a range of physical exercises to strengthen breath control and support and relax the throat and upper body. The focus is to develop a stronger vocal tone, resonation, release of useless tension, and value of language.Learn More
Each 5 week session focuses on one specific dialect or accent. Examples are: Standard British (RP), Cockney, Irish (Belfast & Dublin), Scottish, Australian, American Southern (two distinct states). A phonetic approach is used to strengthen the ear and provide the actor with the tools necessary to approach future work independent of the classroom. Open to all levels. No audition required.Learn More
The goal of this course is to help the non-native English speaker become more understandable onstage and off. The text, Speak With Distinction, by Edith Skinner, will be used to learn The International Phonetic Alphabet and correctly place the sounds of American English.Learn More
The Acting Intensive integrates acting, voice and body to cultivate a free, open and instinctive actor with a complete understanding of practical techniques.Learn More
These one-hour private sessions give the actor an opportunity to work on material that cannot be covered in a scene study class: monologues, upcoming auditions, etc. They are provided for actors who are unable to attend a regular weekly class and need an intensive, personal one-on-one experience.Learn More