Full-Time Acting Conservatory

Train IN-PERSON with NYC acting professionals

Acting Technique

Industry Know-How

Audition Tools

Performance Workshop

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Are you a highly motivated, passionate actor ready to commit to a professional training?

T. Schreiber Studio’s Acting Conservatory Program is designed to prepare you for a thriving career in theatre, film, and television. The Acting Conservatory is a full-time in-person acting program tailored to serve your individuality and talent while supporting your growth as a fully developed, well-rounded actor in whom body, voice, and instinct are integrated. Our Acting Conservatory is a unique opportunity to benefit from T. Schreiber’s renowned professional New York conservatory program  in New York City.

*All participating actors must show proof of vaccination, click here to see our full list of in-person guidelines.

“The only person you’re in competition with when you come here, is yourself.”

Andy Mac - Conservatory Alum

Recognized as one of the foremost professional theatre studios in New York City. With over 50 years’ experience developing actors in a supportive and collaborative environment, the Studio’s alumni include Edward Norton, Peter Sarsgaard, and Julia Garner. Faculty of the Studio is composed of working professionals and established artists in theatre, film, and television under the direction of Terry Schreiber and Peter Jensen, the Studio’s Artistic Directors

September 26, 2022 – May 19, 2023

Interested in the One Year Conservatory?

Mondays - Fridays 9:30am - 1:30pm
Fee: $17,495/150 classes (plus $75 registration fee for new students)

INTERNATIONAL STUDENTS
This school is authorized under Federal law to enroll nonimmigrant alien students. (M1 Visa)

Please contact us for details: (212) 741-0209, sally@tschreiber.org

1st Semester September 26th - December 14th, 2022

First Semester Tuition: $8745

Some partial scholarships may be available.

Acting

Pamela Scott & Robert Verlaque

Concentration is to develop a free, spontaneous, truthful use of the self. Techniques include relaxation exercises; moment-to-moment practices, concentrated involvement and application of emotional preparation in scene work.

Voice & Speech

Page Clements

The Vocal Production Class introduces the actor to a range of physical exercises to discover their true voice and develop a fully expressive instrument fit rehearsals, performances and auditions.

Movement for the Actor

Angela Rose

Foundational movement class to enhance physical awareness and sensitivity, as well as flexibility, strength and stamina. Release work will refine sensitivity, use-of-self and form. Students engage in solo and partner exercises to develop a more plastic, open and active body. They will deepen their personal connection to the body, as well as technical agility and expressive range.

2nd Semester January 9th - May 19th, 2023

Second Semester Tuition $8750

Acting

Peter Jensen & Terry Schreiber

In concert with Terry Schreiber’s Script Analysis Class, the semester focuses on fulfilling the demands of the playwright. Scenes are rehearsed with emphasis on physical and psychological elements of characterization, deepened emotional involvement, and pursuit of objectives through concrete actions.

Shakespeare Workshop

Page Clements

The class breaks down walls of self-consciousness in the handling of Shakespeare’s language. The heightened demands of executing Shakespeare’s text will lead the actor to the full use of language in all writing styles.

Business Workshop

Jeff Dreisbach, Jazelle Foster & Robert Verlaque

The Business Workshop provides each actor with the nuts and bolts of working professionally. The goal is to help each actor identify and market his/her talent.

Commercial Acting

Bill Coelius

Learn to connect with the camera, relax into your role, and confidently audition, make it to callbacks, and book the job.

On Camera

Robert Verlaque

The workshop integrates the vital acting tools of truthful talking and listening, character creation, and moment-to-moment involvement with the technical demands of the camera.

Script Analysis

Terry Schreiber

In conjunction with Acting III, the class offers rigorous, insightful study of the text, designed to break down vital structural elements and components of the script.

Performance / Reel Semester

The Spring Cycle includes a performance workshop and development of a reel to prepare students for casting opportunities. In the performance workshop students are cast in a full length play, follow a rehearsal process, and present the work for an invited audience. The focus is to apply the training of the two prior semesters to the demands of bringing the work to performance and incorporating audience energy. During this time students will also work with TS faculty and one of the industry’s leading demo reel production companies to create, develop, and shoot original material specifically for each actor. Graduates will have fully edited professional footage for their casting reel.

Questions?

  • Call us at 212-741-0209 or send an email to sally@tschreiber.org so we can help.
  • This is an intermediate/advanced level program. Applicants 18 years or older can apply online. An audition is required.
  • Ready to Apply? Fill out the form below to begin your application.

In-Studio classes require proof of full vaccination before enrolling. 
We will continue to revisit these rules to ensure they are still appropriate for the safety of our students, faculty, and staff.
We reserve the right to adjust these policies at any time. Click here
 to see our in-studio guidelines.

MEET YOUR INSTRUCTORS

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How is a conservatory different from getting a theatre degree in acting?

ACCOLADES
“Out of this conservatory, I got to work with a manager who now I am signed with. And I’ve also booked some T.V. work. I wouldn’t have achieved any of this without the Studio.”
— Raul M.
“Most importantly, being able to go into a professional audition and know what I’m doing. And feel confident and comfortable. And just kill it.”
— Kelly Marie K.
“This Studio was one of the best experiences in my life and I loved getting to be a part of it.”
— John M.
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